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Resurrecting 'Black Eden:' Idlewild launches journey to
restore resort's glory
Mark Hornbeck / Detroit News Lansing Bureau
IDLEWILD
-- The unassuming, brown and pale yellow cinder block club
sits on a hill overlooking azure Idlewild Lake, a silent,
padlocked symbol of Black Eden's historic past and its
uncertain future.
A peek inside at the splashy mural of surf, palms and
flamingos suggests what this place once was: The Flamingo
Bar, where African-American vacationers gathered on hot
summer nights to escape the harsh realities of a
color-conscious society and lose themselves in the sounds of
some of the greatest entertainers ever to grace the planet
-- the Four Tops, B.B. King, Sammy Davis Jr., Aretha
Franklin, Louis Armstrong, Cab Calloway, George Kirby.
That the nightclub has been abandoned for three decades,
like the community itself, the Flamingo's decline was an
unintended casualty of self-inflicted wounds and of the 1964
Civil Rights Act that gave black people many other choices.
At the same time, the Flamingo is a boarded-up monument to
Idlewild's stubborn inertia, a community torn between those
who want to restore some of the heyday glory and those who
cherish the memories of the "high-steppin'" times but now
want to be left alone to enjoy the sleepy serenity of the
northern Michigan woods.
The push for Idlewild's resurgence is part state and part
federal. Federal money has been sent to the town for a
museum and state grant dollars may eventually pay for
historical markers.

"Idlewild is on a slow and gradual comeback, but it really
needs an identity," said Ronald Stephens, director of
African studies at Ohio University and a native Detroiter
who has written a book about Idlewild.
"You have three groups there: Those who want no development
at all, no urban-rural intersection; the retirement
community that wants moderate development, some street
lights, a few more paved roads, some restored buildings. And
the resortists, who know Idlewild can't be what it used to
be, but believe there's no reason it can't be an active,
vital community."
The state is gently nudging Idlewild toward the latter
approach. About a half-million dollars was spent to tear
down derelict buildings, although many remain. A $93,000
grant is intended to restore historic landmarks, put up
markers for tourists and plan a centennial celebration for
2012. Federal money was funneled to the township to build a
small museum. The Department of Natural Resources wants to
put in a fishing pier and boat launch on Idlewild Lake.
Gov. Jennifer Granholm has appointed a centennial commission
that has met a couple times. She wants to see a renaissance
in the town, about 35 miles east of Ludington and some 250
miles northwest of Detroit.
"We have this cultural gem inside Michigan," Granholm told
The Detroit News. "Hopefully, we can restore it to lure
visitors from across the country again. We want to focus on
tourists and the idyllic location.
"The mapping out of the future has to be done in partnership
with the community. There won't be 100 percent consensus,
but there is a great desire to reinvigorate Idlewild."
A community divided
John
Meeks, a 54-year resident and local businessman who has a
stake in some of Idlewild's historic treasures, is among
those pushing hard for redevelopment. " said Meeks as he
slapped the hood of his van. "Idlewild to me is like an
uncut diamond. We can bring people back; we can bring some
of the entertainment back. But we have to get everybody on
the same page and it's difficult." "It's like the state is
saying to us 'wake up,'
Norman Burns, a 26-year resident whose family visited
Idlewild in its prime, counts himself among the skeptical.
"I hear they're going to build this and that but I don't see
it happening," he said. "I'm 100 percent for cleaning up the
blight. Go ahead and fix up the Flamingo Club. But we can't
come close to the heyday."
Yates Township Supervisor Donel Brown, whose jurisdiction
includes Idlewild, acknowledges that there are "some
citizens who'd prefer to keep things exactly as they are. We
also have citizens who want moderate change so we're not the
last outpost.
"We all want to have a clean, tranquil community citizens
can be proud of and to open our door to let people see what
Idlewild is about. This centennial is involving more and
more people and could make the difference in bringing
everybody together."

A national team of consultants with credentials in cultural
tourism and community planning sees great untapped
potential.
"Idlewild is a national treasure, and possesses the physical
resources, history, authenticity and broad culture to
achieve great success with economic development via cultural
tourism," the team's 2-year-old report says. The panel
encourages the state to "proceed as quickly as possible."
William Anderson, director of the Michigan Department of
History, Arts and Libraries, who heads the centennial
commission and the transformation initiative, said Idlewild
is a work in progress.
'More than a resort'
Idlewild came to be in 1912, when a group of Chicago
businessmen saw the need for a vacation spot for black
Americans, who were barred from whites-only resorts. They
bought land in Lake County and sold hundreds of lots for $35
-- $6 down and $1 a month. NAACP founder W.E.B. DuBois was
among those who bought property. African-Americans from
Detroit, Chicago, St. Louis and Indianapolis purchased lots
and built homes.

"Idlewild became more than a resort; it was part of a
movement of racial pride and development," wrote Lewis
Walker and Ben Wilson in "Black Eden."
"To be a part of a development that offered relaxation away
from the daily grind and racial bigotry ... was meaningful
to many blacks who purchased lots in Idlewild."
Black Eden also attracted luminaries such as author Charles
Chesnutt, whose cottage home remains intact and may become a
bed and breakfast. Boxer Joe Louis hung out there. And in
its prime in the 1940s to early 1960s, many black
entertainers flocked to Idlewild to perform in the clubs,
including the Flamingo, the Paradise, which burned down in
the 1980s, and the El Morocco.
The decline began in the mid-1960s, when civil rights laws
integrated other resorts and Midwestern African-Americans
suddenly had a variety of options.
But Meeks said there were other forces at work that caused
Idlewild to slide. He said some black youths intimidated
white families who made up about 20 percent of the tourism
base. Those families stopped coming.

He added that Idlewild businesses were slow to add modern
conveniences, such as air conditioning and updated
bathrooms.
"People can stop saying integration killed Idlewild," Meeks
said. "It played a part, but there were many factors."
Vacationers have returned in recent years to see weekend
concerts. This summer's music festival is July 10-12. A fine
arts camp has started up. The Historic and Cultural Center
hosts music and theater. "We're headed in the right
direction," said Mabel Williams, 35-year Idlewild resident
and widow of black activist Robert F. Williams.
"We can't have Idlewild the way it was. Nobody wants Las
Vegas here. But given its historic significance, we can do
economic development and have it be a historical attraction
where tourists want to visit. We're making small steps."
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